Ceramic art encompasses an extraordinary breadth of styles, techniques, narratives, and interpretations. As a three-dimensional medium, clay invites an expansive range of expressive possibilities, resulting in exhibitions that are both diverse and deeply layered.
Off Center Blue Line Art’s annual international competition drew more than 200 submissions, vividly demonstrating this range. I have worked primarily in clay for the past 20 years, following an earlier career as a commercial muralist. Through years of teaching and critiquing student work, I have developed a jurying approach that centers on the innovation of concept and narrative, the quality of execution, and how effectively form and technique support meaning—whether the work is abstract or representational. I am especially drawn to work that leaves the viewer with more questions than answers.
Equally important is the exhibition as a whole. In selecting this work, I sought distinct voices that meet these criteria and, together, create a dynamic and engaging dialogue.
I spent considerable time living with these image submissions—returning to them, studying them, and allowing their nuances to unfold—before making final decisions. I commend all of the artists who submitted work. The Off Center exhibition reflects both the richness of individual artistic interpretation and the expansive possibilities of clay as a material
About Marsha Godoy Schindler
Sacramento artist Marsha Godoy Schindler is best known for her large ceramic sculptures and installations. A painter as well, Schindler’s work across disciplines displays a knowledge and sensitivity to environmental issues, their changing circumstances and need for rapid adaptations, informed by her background as a marine biologist.
